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  > Home   > Walt Disney Studios Animation Art   > Snow White & The Seven Dwarfs
Snow White & The Seven Dwarfs
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"It's A Girl" Jim Salvati $450.00
"It's A Girl"
Giclee on Canvas (Unframed)
Size: 13 x 20
Edition Size: 195

Born and raised in southern California Jim grew up surrounded by art and architects. His southern California influence is prevalent in his work. The Ocean, Surfing and the movie studios are a major part in his life and career. Jim has worked with most of the Movie and animation studios in southern California and continues to work with Disney and Warner Bros. on a regular basis. He has been painting and designing for the entertainment and advertising business for over two decades. But beyond his excellent artistic skills, his greatest talent lies in his artistic skills. His talent as an artist is being able to take ideas and thematically bring it to visual reality. He has been associated with artists devoted to this kind of acumen ability.

As a byproduct of his years as an instructor at the prestigious Art Center College of Design (since 1985) he has a strong connection to artistic diversity as well as a careful observation of the changing world of art and how art interrelates with technology. His experience and knowledge cross many boundaries into Print, Film, Animation, and the fine arts.

His extensive client list includes Disney, Warner Bros., Sony Pictures, Paramount pictures, Queen Mary, Radio City Music Hall, Castle Theater, Fox Pictures, and Gotcha Sportswear. His Palette of oils has inspired him to create a new look that has energized his love of the old painters with the combination of the great Walt Disney Studios.


 
"Snow White on the Balcony" Jim Salvati $395.00
"Snow White on the Balcony"
Giclee on Canvas (Unframed)
Size: 12 x 15
Edition Size: 195

Born and raised in southern California Jim grew up surrounded by art and architects. His southern California influence is prevalent in his work. The Ocean, Surfing and the movie studios are a major part in his life and career. Jim has worked with most of the Movie and animation studios in southern California and continues to work with Disney and Warner Bros. on a regular basis. He has been painting and designing for the entertainment and advertising business for over two decades. But beyond his excellent artistic skills, his greatest talent lies in his artistic skills. His talent as an artist is being able to take ideas and thematically bring it to visual reality. He has been associated with artists devoted to this kind of acumen ability.

As a byproduct of his years as an instructor at the prestigious Art Center College of Design (since 1985) he has a strong connection to artistic diversity as well as a careful observation of the changing world of art and how art interrelates with technology. His experience and knowledge cross many boundaries into Print, Film, Animation, and the fine arts.

His extensive client list includes Disney, Warner Bros., Sony Pictures, Paramount pictures, Queen Mary, Radio City Music Hall, Castle Theater, Fox Pictures, and Gotcha Sportswear. His Palette of oils has inspired him to create a new look that has energized his love of the old painters with the combination of the great Walt Disney Studios.


 
"Snow White" Jim Salvati $325.00
"Snow White"
Giclee on Canvas (Unframed)
Size: 11 x 14
Edition Size: 95

Born and raised in southern California Jim grew up surrounded by art and architects. His southern California influence is prevalent in his work. The Ocean, Surfing and the movie studios are a major part in his life and career. Jim has worked with most of the Movie and animation studios in southern California and continues to work with Disney and Warner Bros. on a regular basis. He has been painting and designing for the entertainment and advertising business for over two decades. But beyond his excellent artistic skills, his greatest talent lies in his artistic skills. His talent as an artist is being able to take ideas and thematically bring it to visual reality. He has been associated with artists devoted to this kind of acumen ability.

As a byproduct of his years as an instructor at the prestigious Art Center College of Design (since 1985) he has a strong connection to artistic diversity as well as a careful observation of the changing world of art and how art interrelates with technology. His experience and knowledge cross many boundaries into Print, Film, Animation, and the fine arts.

His extensive client list includes Disney, Warner Bros., Sony Pictures, Paramount pictures, Queen Mary, Radio City Music Hall, Castle Theater, Fox Pictures, and Gotcha Sportswear. His Palette of oils has inspired him to create a new look that has energized his love of the old painters with the combination of the great Walt Disney Studios.


 
"Picking Flowers" James Coleman $1,100.00
"Picking Flowers"
Giclee on Canvas
Size: 30 x 40
Edition Size: 395

James Coleman - a name synonymous with sweeping skies, tropical rain forests, rich deep woods and silent deserts. The images created by this talented man continue to delight all that view them.
James Coleman was born in Hollywood, California in 1949. As a youth, his creative abilities seemed to dominate his world. Though he lacked the athletic skills of his young friends, he more than made up for it with imagination and ingenuity. As a young man, his interest in filmmaking and fine art would mark the beginning of a long, successful career in animated films. Coleman began his career with Walt Disney Studios in the summer of 1969, when his mother, who had been working as a secretary with Disney since the Hyperion days, got him a job in the studio's mailroom. His big break came when he entered one of his paintings in the studio art show. Several of the Disney artists viewing his work, saw his potential and realized he had an untapped ability and encouraged him to go into animation background painting.
Walt Disney Productions welcomed his creative energies. His first film, "Winnie, the Pooh and Tigger, too", sparked his interest not only in painting backgrounds but also in background design and color styling.
After completing, "The Rescuers", his first feature film, he was promoted to Background Department Supervisor, a position he held for nearly seventeen years. During that time, he personally hired and trained a select group of artists, whom he would work with for most of his career at Disney. While at Disney, James styled and worked on twelve films and over thirty short subjects which included "Mickey's Christmas Carol", "The Fox and the Hound", "The Great Mouse Detective", "The Black Cauldron", "The Little Mermaid", and Academy Award-winning, "Beauty and the Beast". All of which came to life with James Coleman's background images gracing the silver screen.
In 1991, after twenty-two years with Disney, James left to pursue a new career. He was ready to devote all of his time and talent to the love of his life, fine art. Today he continues to illuminate the art world with vibrant colors, gentle moods, powerful design and exquisite detail.
Coleman works in oil, watercolor, gouache and pastel. His work is impressionistic and luminous. His pieces intrigue the eye and touch the heart. His paintings are warm, inviting and unique. A master of color, light and design, Coleman has become one of the most collected and sought after artists around the world. James Coleman pieces can be found in many fine, personal and corporate collections including that of the Disney family. Coleman is a naturalist and environmentalist who involve himself with the National Parks and other environmental organizations. He has been a finalist for five years in the Arts for the Parks competition.
The contribution made by Coleman to the world of art over some thirty years, both in film and fine art, makes him one of the most collected artists in contemporary art. His work is represented by some of the most prominent and respected galleries in North America, the Orient and the Hawaiian Islands.


 
"Snow White" $500.00
"Snow White"
Giclee on Canvas
Size: 35 x 26
Edition Size: 950

Monte Trevor Carlton was born in 1972 in Olympia, Washington State. Although he took up painting in high school, the first artistic passion that Trevor embraced was acting. He decided to forgo an art scholarship in favor of attending a dramatic arts scholarship at Skagit Valley College.
Trevor next attended the Lee Strasberg Acting Workshop. The following year he relocated to Los Angeles to pursue an acting career. Amidst the chaos of auditions and callbacks, Trevor paid the bills by working in a custom furniture store, specializing in antiquing and faux finish designs.
It was here that a style was born. Using reclaimed lumber as his "canvas", he started painting images of vintage Americana with subjects ranging from pop icon celebrity to the hey day of jazz.
After numerous gallery shows in Los Angeles and private commissions he has now combined his unique style to that most American of symbols, MICKEY MOUSE. Along with a series of classic lobby card paintings, he has also created a performance piece that has him painting a large canvas of our favorite Disney characters in a matter of minutes.


 
"HI HO" $595.00
"HI HO"
Giclee on Canvas
Size: 15 x 40
Edition Size: 195

As an emerging, prolific artist with his own inimitable style, Tim Rogerson casts his artwork with a very evident energy and passion. Inspired by the works of Edgar Degas and Malcolm Liepke, the North Carolina native has embarked on an artistic journey that has taken him from Degas to Disney.
Born in Kissimmee , Florida , Rogerson grew up as a child who lived the everyday life of a kid, playing outside and ̶hanging out” with friends, however, the artistic urge to create was always present, compelling him to apply the pictures and images in his head to paper and canvas.
Moving from North Carolina back to Florida , Rogerson was accepted as a student at the prestigious Ringling School of Art and Design in Sarasota , majoring in Illustration. “I was a very traditional art student and explored all the works from the old masters to modern art,” says Rogerson. ̶My influences include Degas and John Singer Sargent, with his perfect, confident brushstrokes. . . their work has allowed me to push the envelope with my own abstraction of life.”
Using the medium of oil paints, Rogerson concentrates on capturing people in social settings. “My personal style has emerged and I break down the composition into simple shapes, with each shape having its own palette – it’s a jigsaw puzzle of color to form an image,” states Rogerson. “I keep the backgrounds simple so as not detract from the main focus and so I can concentrate on the details of the central image.”
While studying at the Ringling School, Rogerson gained the reputation as a rising artist and influence in his own right. His unique style was recognized when he was awarded the 2003 Best Painter Award from Ringling, followed by 2003 and 2004 Best of Ringling Award. One of his recognized works was an emotionally powerful portrait of “Mr. Lincoln.”
After graduating from Ringling in 2004, Rogerson has embarked on a career as a professional artist. He has contributed his artistic abilities to Disney and SS Designs in Florida and is currently engaged in creating imaginative imagery for the popular Disney Fine Art portfolio, published by Collectors Editions Fine Art Publishers of California.
“My work will always evolve, becoming more complex and detailed,” says Rogerson. “I want my paintings to celebrate life and stay fresh . . . I try to stay away from the basic routine and technique because my joy for painting comes from the challenge of creating something entirely new.


 
"Snow White's Romance" $625.00
"Snow White's Romance"
Giclee on Canvas
Size: 24 x 18
Edition Size: 95

Jim Warren is one of the most creative and prolific artists of our time.
If you are not familiar with his name, you have undoubtedly seen his work. His fine art paintings and personalized portraitures have been commissioned by a clientele list that includes world-famous celebrities and prominent business leaders, and his collaborations with marine life artist, Wyland, are widely acclaimed. His paintings have been seen around the world on billboards, large outdoor murals, set props for TV shows, and Fine Art Galleries coast to coast now carry his works.
Jim has also illustrated over 200 book covers for major New York publishers, including titles from authors such as Arthur C. Clark, Clive Barker and Robin Cook. He has created collectible movie posters and magazine covers, numerous album and CD covers including the Grammy award-winning cover for Bob Seger's album, "Against The Wind."
Born and raised in Long Beach, California, at age seven Jim knew he wanted to be a painter. However it would be several years before a pivotal event helped shape the developing, self-taught artist's career: the day he picked up an issue of "Life Magazine" and discovered Salvador Dali.
Looking at Dali's paintings in Life, Jim realized his own art could be anything he wanted it to be, and, while influenced by Dali, Norman Rockwell, Andy Warhol, Rembrandt, Magritte, Monet, Peter Max and others, he set out to further develop his own unique style of painting.
In 1986, Jim was commissioned to create a painting for another gifted individual, world-renowned recording artist, Prince. Jim was given very limited information on which to base the painting other than a one-page sheet containing 13 instructions such as, "a fat man hugging a tiger," "two men with hair shorter on one side, playing the tambourine." Jim was instructed, "use your imagination," which, of course, he did. Upon completion of the painting he was told that Prince loved it.
Currently, Jim focuses primarily on his fine art paintings. Yet in spite of the strong, ongoing demand for these works, he has managed to find time to create two books: "The Art of Jim Warren," and "Jim Warren, Painted Worlds." Both contain clear and colorful representations of his works, many of which combine, as Jim has stated, "the effect of the real mixed with a touch of the unreal, to make you feel as though you're actually seeing something that in reality couldn't possibly be. Although Mother Nature is my favorite art director, I do take artistic license to create environments of my own."
When questioned by an acquaintance recently concerning what aspect of his work gave him the most pleasure, Jim replied, "the letters and emails I get from people around the world who say they have been touched in some way by my paintings. The fact that my art can create an effect like that for some people, and act as a positive influence in their lives, means a great deal to me."
Such is the Art of Jim Warren.


 
"More Fair Than Thee" $675.00
iercely beautiful, the Wicked Queen has reached an age where her radiance is fading. Insanely jealous of her lovely young stepdaughter, the Queen forces her to work as a scullery maid in the hope that drudgery will tarnish the girl's blossoming beauty. When the Magic Mirror reveals that Snow White has finally become "more fair than thee," she plots the girl's death in a rage so twisted that she's eventually willing to sacrifice her own beauty to destroy Snow White's. She uses witchcraft to transform herself into a hunchbacked old peddler and succeeds in persuading the naive girl to accept her poisoned apple. Unknowingly, however, she's wrought the means of her own demise. For, though her disguise serves the terrible deed, that same feeble body will hinder her escape.

"More Fair Than Thee"
Giclee on Canvas
Size: 24 x 18
Edition Size: 395

The art of illustration is multifaceted and requires extensive training as well as artistic ability. It is only natural for a great illustrator to be able to switch their style with little effort, growing an incredible portfolio and several types of artwork that demand attention.
This is apparent when you see the work of Mike Kupka. Whether painting well-known rock stars like Ozzy Osbourne, or adding new depths to the classic horror characters of Frankenstein and Dracula, to his amazing depictions of the Disney Villain's. His affinity for the darker characters in life has developed into quite a scary portfolio.
As with most artists the desire was there to draw early on, he would wait all week for the Sunday comics and eagerly copy the latest Beatle Bailey. Mike started to paint during his time at duCret school of art in New Jersey when he found his mentor Peter Caras. He has not put the brush down since.
Even at the young age of 32, Michael's artwork captures more than a likeness of the characters he paints, his work creates old world flair. Bringing together all the ingredients necessary to make a painting work, which is why he attracts the eye. With the soft lines and rustic palate, The villains he depicts have always shown a greater range of emotions whether Captain Hook's eyes are boaring into you sizing you up or Cruella dreaming about the newest batch of puppies for her next fur coat. One thing is for sure you know that the characters he renders are so glad to be bad.
Shadow, mood, composition, and color, his style lends to it and as he says about why villains, "You get more!" You can see from his works he is right.


 
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