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| "We Can Fly" |
$1,200.00 |
Peter Pan is the magical boy who won't grow up, and who teaches the three Darling children -- Wendy, John, and Michael -- to fly to Never Land with him. There they embark on adventures with the chief inhabitant, Captain Hook, and his crew of pirates. The fairy, Tinker Bell, is jealous of Peter's attentions to Wendy, and is duped into helping Captain Hook. After rescuing the Indian princess Tiger Lily, Peter must save his band, the Lost Boys, and the Darlings from Hook.
"We Can Fly"
Giclee on Canvas
Size: 24 x 36
Edition Size: 395
Introducing the Collaborative Art of Peter and Harrison Ellenshaw.
As a visual effects designer and filmmaker, Harrison Ellenshaw's work can be seen in such films as STAR WARS, TRON, THE EMPIRE STRIKES BACK, CAPTAIN EO, DICK TRACY, and many others. He has also had a successful career as an artist with one-man shows of his paintings in London, New York, and San Francisco.
Peter Ellenshaw has received five Academy Award® nominations, winning the Oscar® for his stunning recreation of Edwardian London in the Walt Disney's classic, Mary Poppins. Throughout the years, Ellenshaw has sought to capture the drama and emotions of many different scenes. His work is represented in both public and private collections worldwide. He has received numerous honors and retrospectives including those by the American Film Institute, the Museum of Modern Art in New York, the Film Institute of Chicago, the Academy of Motion Picture Arts and Sciences, the R.W. Norton Art Museum in Shreveport, Louisiana and has been bestowed the illustrious title of "Disney Legend."
In their first creative collaboration since Disney's, "The Black Hole" (1979), Peter & Harrison Ellenshaw came together to create "We can Fly". Their first in a series of collaborative works celebrated the 50th anniversary of Walt Disney's, "Peter Pan".
Their second piece was "20,000 Leagues Under the Sea," which according to Harrison, "was my introduction to Hollywood, at least to the Disney style of epic movie making. This was an exciting time, seeing my father involved in one of Walt Disney's most successful live action films." |
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| "Winnie the Pooh-Four Seasons Suite" |
$4,400.00 |
"Spring in The 100 Acre Wood"
Serigraph
Size: 30 x 24
Edition Size: 495
"Summer in The 100 Acre Wood"
Serigraph
Size: 30 x 24
Edition Size: 495
"Fall in The 100 Acre Wood"
Serigraph
Size: 30 x 24
Edition Size: 495
"Winter in The 100 Acre Wood"
Serigraph
Size: 30 x 24
Edition Size: 495
All serigraphs in this suite can be purchased individually for $1,200.00 each or together for $4,400.00.
Introducing the Collaborative Art of Peter and Harrison Ellenshaw.
As a visual effects designer and filmmaker, Harrison Ellenshaw's work can be seen in such films as STAR WARS, TRON, THE EMPIRE STRIKES BACK, CAPTAIN EO, DICK TRACY, and many others. He has also had a successful career as an artist with one-man shows of his paintings in London, New York, and San Francisco.
Peter Ellenshaw has received five Academy Award® nominations, winning the Oscar® for his stunning recreation of Edwardian London in the Walt Disney's classic, Mary Poppins. Throughout the years, Ellenshaw has sought to capture the drama and emotions of many different scenes. His work is represented in both public and private collections worldwide. He has received numerous honors and retrospectives including those by the American Film Institute, the Museum of Modern Art in New York, the Film Institute of Chicago, the Academy of Motion Picture Arts and Sciences, the R.W. Norton Art Museum in Shreveport, Louisiana and has been bestowed the illustrious title of "Disney Legend."
In their first creative collaboration since Disney's, "The Black Hole" (1979), Peter & Harrison Ellenshaw came together to create "We can Fly". Their first in a series of collaborative works celebrated the 50th anniversary of Walt Disney's, "Peter Pan".
Their second piece was "20,000 Leagues Under the Sea," which according to Harrison, "was my introduction to Hollywood, at least to the Disney style of epic movie making. This was an exciting time, seeing my father involved in one of Walt Disney's most successful live action films." |
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| "Winter Walk" |
$1,200.00 |
"Winter Walk"
Giclee on Canvas
Size: 24 x 36
Edition Size: 395
Born in 1913, barely a year before World War I was to assail England with bomb-dropping zeppelins and an economic downturn that would last for decades, master painter Peter Ellenshaw would spend his early years in hardship. “War was the devil that haunted all of us, driving out happier memories,” he writes in is pictorial autobiography, “Ellenshaw Under Glass” (Camphor Tree Publishers, 2003).
Ellenshaw’s father died in 1921, and his mother soon married the groundskeeper on an estate in Kent. Ellenshaw’s biological father had family living in Wilton Castle, near Enniscorthy, Ireland, and prior to his father’s death, Peter had been attending a private school in which he was taught, among other things, fine social graces. This ended abruptly as his mother remarried and his family moved into cramped living quarters on the estate his new stepfather tended to. Here, instead of kindly doffing his hat for the ladies, the seven-year old Ellenshaw was enlisted for the purpose of holding the lantern while the latrines were emptied at night.
Recurrent and frequent childhood illnesses left Peter unable to pass the basic entrance exams for grammar school, and at his mother’s suggestion, he became an auto mechanic at 14. Simultaneously, his mother also encouraged him to develop his artistic talent, especially painting and drawing. It was in this manner that Peter managed to keep his floundering self-esteem afloat. “[I] Certainly developed an inferiority complex,” he wrote years later. “because in England, dirty unskilled work was the lowest rung on the social ladder.”
It was around this time that Ellenshaw had a chance meeting with a local artist who would later mentor him not only in painting on canvas, but in painting on glass for the purpose of creating matte backgrounds for film. This man would play a pivotal role in his life in several ways. Percy “Pop” Day, as he was called, was to become a legend in pioneering visual effects for film. Later a recipient of the O.B.E., Day’s relationship with Ellenshaw became one of mentor-apprentice, as the younger of the two began working alongside the elder doing visual effect work for studios.
After serving his country as an RAF pilot in World War II, Ellenshaw returned to work for Mr. Day at the studios. After a brief yearlong stint at MGM, Ellenshaw left in 1947 upon receiving a call to work for Walt Disney Studios on the film, “Treasure Island”. As it turned out, his partnership with Disney would last over thirty years and earn him five Oscar nominations. For his work on “Mary Poppins” in which he recreated scenes of Edwardian London in 102 different mattes, he won an Academy Award. Walt Disney became Ellenshaw’s mentor and friend, spurring him on continually to perfect his craft and push the creative envelope. “Walt was the dominant figure in my life for all those years,” he wrote years later. “He talked to me as a father would. I cherished our relationship.” However, after Walt Disney passed away in 1968, making movies wasn’t the same anymore. “After Walt was gone, things were different,” he wrote in his autobiography. “I ceased to be as interested in film making.”
At this time more than ever, Ellenshaw became more engrossed with “his second career” – painting landscapes for the sheer beauty of it. By 1968, it was occupying every possible spare moment as he scurried to keep up with the demand created by galleries and collectors.
Disney’s “The Black Hole” in 1976 was Ellenshaw’s last film for Disney Studios, viewed both as an artistic masterpiece and a cinematic failure. Ellenshaw began to broaden his Hollywood horizons at that point, working on “Superman IV” with son Harrison in 1984.
The work of Peter Ellenshaw is represented in both public and private galleries worldwide. He has been the recipient of numerous honors and awards, including those by the American Film Institute, the Museum of Modern Art in New York, the Film Institute in Chicago, the Academy of Motion Picture Arts and Sciences, the R.W. Norton Art Museum in Shreveport, Louisiana, and the Disney Legends Awards.
Now in his nineties, Peter Ellenshaw still enjoys the daily regimen of “his second career” and paints nearly every day. |
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| "Abracadabra" |
$500.00 |
Nobody can create magic better than the Sorcerer Mickey.
"Abracadabra"
Serigraph on Canvas
Size: 24 x 18
Edition Size: 195
Allison Lefcort has painted since early childhood. The Greenwich Village Art Gallery in New York City first represented her professionally when she was seventeen. At twenty-six, she is becoming widely collected and recognized for her own style of portrait painting.
Allison has shown her work in fine galleries around the country, in places as diverse as SOHO, Maui, Kennebunkport, and Key West. Her portraits have hung side by side with such esteemed artist as Peter Max and Romero Britto. Her paintings have been purchased and shipped around the world to places like Monte Carlo, Singapore, Germany, Hong Kong, Tokyo, Bangkok, Luxembourg, Jerusalem, Paris and London.
Allison was invited to paint a portrait of the First Lady of the United States, Hillary Rodham Clinton. Allison had the privilege of presenting this portrait to the First Lady, and it was then shipped to her at the White House.
She was also invited to paint portraits of Their Royal Highness, the now late King Hussein of Jordan and Queen Noor. That same portrait of the late King Hussein was featured in an interview with Queen Noor conducted by Katie Couric on the Today show! Queen Noor mentioned to Katie that it was her favorite portrait of her late husband.
Allison's paintings can be found in the collections of Senator Hillary Rodham Clinton, Her Royal Highness Queen Noor of Jordan, Barbara Streisand, Dionne Warwick, Robero Britto, Phil Ramone, Luciano Pavarotti, John Stango, Universal Studios Orlando, Warner Bros. Studio Stores, The Walt Disney Gallery, Tears for Tears, The Indigo Girls, Ellen DeGeneres, Kathy Buckley, Deborah Gibson, Robert Cuccioli, Lea Delaria, and Liza Minelli.
"My art is inspired by the works of Andy Warhol and Keith Haring. Boldness and simplicity are the keys to the success of my portraits. The Vibrant color of the background accents the shapes and shadows and enhances the three-dimensional appearance."
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| "Blushing Tink" "OUT OF STOCK, SOLD OUT" NO LONGER AVAILABLE FOR ORDER WITH US |
$450.00 |
Tinker Bell is the jealous pixie who glows brightest for Peter Pan. Her voice sings like a tinkling bell and a sprinkle of her pixie dust can make you fly. But this sprite can turn spiteful if she suspects that Peter's attentions are diverted to anyone but herself.
"Blushing Tink"
Serigraph on Canvas
Size: 20 x 20
Edition Size: 195
Allison Lefcort has painted since early childhood. The Greenwich Village Art Gallery in New York City first represented her professionally when she was seventeen. At twenty-six, she is becoming widely collected and recognized for her own style of portrait painting.
Allison has shown her work in fine galleries around the country, in places as diverse as SOHO, Maui, Kennebunkport, and Key West. Her portraits have hung side by side with such esteemed artist as Peter Max and Romero Britto. Her paintings have been purchased and shipped around the world to places like Monte Carlo, Singapore, Germany, Hong Kong, Tokyo, Bangkok, Luxembourg, Jerusalem, Paris and London.
Allison was invited to paint a portrait of the First Lady of the United States, Hillary Rodham Clinton. Allison had the privilege of presenting this portrait to the First Lady, and it was then shipped to her at the White House.
She was also invited to paint portraits of Their Royal Highness, the now late King Hussein of Jordan and Queen Noor. That same portrait of the late King Hussein was featured in an interview with Queen Noor conducted by Katie Couric on the Today show! Queen Noor mentioned to Katie that it was her favorite portrait of her late husband.
Allison's paintings can be found in the collections of Senator Hillary Rodham Clinton, Her Royal Highness Queen Noor of Jordan, Barbara Streisand, Dionne Warwick, Robero Britto, Phil Ramone, Luciano Pavarotti, John Stango, Universal Studios Orlando, Warner Bros. Studio Stores, The Walt Disney Gallery, Tears for Tears, The Indigo Girls, Ellen DeGeneres, Kathy Buckley, Deborah Gibson, Robert Cuccioli, Lea Delaria, and Liza Minelli.
"My art is inspired by the works of Andy Warhol and Keith Haring. Boldness and simplicity are the keys to the success of my portraits. The Vibrant color of the background accents the shapes and shadows and enhances the three-dimensional appearance."
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| "Evil and Sarcastic" |
$625.00 |
With his broad shoulders, his elastic mouth, his haughty eyebrows, and his expressive hieroglyph of a beard, Jafar is evil at its most cunning.
"Evil and Sarcastic"
Giclee on Canvas
Size: 20 x 16
Edition Size: 195
The art of illustration is multifaceted and requires extensive training as well as artistic ability. It is only natural for a great illustrator to be able to switch their style with little effort, growing an incredible portfolio and several types of artwork that demand attention.
This is apparent when you see the work of Mike Kupka. Whether painting well-known rock stars like Ozzy Osbourne, or adding new depths to the classic horror characters of Frankenstein and Dracula, to his amazing depictions of the Disney Villain's. His affinity for the darker characters in life has developed into quite a scary portfolio.
As with most artists the desire was there to draw early on, he would wait all week for the Sunday comics and eagerly copy the latest Beatle Bailey. Mike started to paint during his time at duCret school of art in New Jersey when he found his mentor Peter Caras. He has not put the brush down since.
Even at the young age of 32, Michael's artwork captures more than a likeness of the characters he paints, his work creates old world flair. Bringing together all the ingredients necessary to make a painting work, which is why he attracts the eye. With the soft lines and rustic palate, The villains he depicts have always shown a greater range of emotions whether Captain Hook's eyes are boaring into you sizing you up or Cruella dreaming about the newest batch of puppies for her next fur coat. One thing is for sure you know that the characters he renders are so glad to be bad.
Shadow, mood, composition, and color, his style lends to it and as he says about why villains, "You get more!" You can see from his works he is right.
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| "Lonesome Ghost" |
$525.00 |
A couple of lonesome ghosts find a newspaper add for Mickey, Donald and Goofy's Ghost Hunting service...
"Lonesome Ghost "
Giclee on Canvas
Size: 20 x 16
Edition Size: 95
The art of illustration is multifaceted and requires extensive training as well as artistic ability. It is only natural for a great illustrator to be able to switch their style with little effort, growing an incredible portfolio and several types of artwork that demand attention.
This is apparent when you see the work of Mike Kupka. Whether painting well-known rock stars like Ozzy Osbourne, or adding new depths to the classic horror characters of Frankenstein and Dracula, to his amazing depictions of the Disney Villain's. His affinity for the darker characters in life has developed into quite a scary portfolio.
As with most artists the desire was there to draw early on, he would wait all week for the Sunday comics and eagerly copy the latest Beatle Bailey. Mike started to paint during his time at duCret school of art in New Jersey when he found his mentor Peter Caras. He has not put the brush down since.
Even at the young age of 32, Michael's artwork captures more than a likeness of the characters he paints, his work creates old world flair. Bringing together all the ingredients necessary to make a painting work, which is why he attracts the eye. With the soft lines and rustic palate, The villains he depicts have always shown a greater range of emotions whether Captain Hook's eyes are boaring into you sizing you up or Cruella dreaming about the newest batch of puppies for her next fur coat. One thing is for sure you know that the characters he renders are so glad to be bad.
Shadow, mood, composition, and color, his style lends to it and as he says about why villains, "You get more!" You can see from his works he is right.
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| "Making Magic" |
$450.00 |
Nobody can create magic better than the Sorcerer Mickey.
"Making Magic"
Serigraph on Canvas
Size: 15 x 22
Edition Size: 195
Allison Lefcort has painted since early childhood. The Greenwich Village Art Gallery in New York City first represented her professionally when she was seventeen. At twenty-six, she is becoming widely collected and recognized for her own style of portrait painting.
Allison has shown her work in fine galleries around the country, in places as diverse as SOHO, Maui, Kennebunkport, and Key West. Her portraits have hung side by side with such esteemed artist as Peter Max and Romero Britto. Her paintings have been purchased and shipped around the world to places like Monte Carlo, Singapore, Germany, Hong Kong, Tokyo, Bangkok, Luxembourg, Jerusalem, Paris and London.
Allison was invited to paint a portrait of the First Lady of the United States, Hillary Rodham Clinton. Allison had the privilege of presenting this portrait to the First Lady, and it was then shipped to her at the White House.
She was also invited to paint portraits of Their Royal Highness, the now late King Hussein of Jordan and Queen Noor. That same portrait of the late King Hussein was featured in an interview with Queen Noor conducted by Katie Couric on the Today show! Queen Noor mentioned to Katie that it was her favorite portrait of her late husband.
Allison's paintings can be found in the collections of Senator Hillary Rodham Clinton, Her Royal Highness Queen Noor of Jordan, Barbara Streisand, Dionne Warwick, Robero Britto, Phil Ramone, Luciano Pavarotti, John Stango, Universal Studios Orlando, Warner Bros. Studio Stores, The Walt Disney Gallery, Tears for Tears, The Indigo Girls, Ellen DeGeneres, Kathy Buckley, Deborah Gibson, Robert Cuccioli, Lea Delaria, and Liza Minelli.
"My art is inspired by the works of Andy Warhol and Keith Haring. Boldness and simplicity are the keys to the success of my portraits. The Vibrant color of the background accents the shapes and shadows and enhances the three-dimensional appearance."
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